{"id":6439,"date":"2019-09-19T11:42:20","date_gmt":"2019-09-19T18:42:20","guid":{"rendered":"https:\/\/www.art.ucla.edu\/jobs\/?p=6439"},"modified":"2019-09-19T11:42:20","modified_gmt":"2019-09-19T18:42:20","slug":"prospectus-call-to-artists-31-women-artists-exhibition","status":"publish","type":"post","link":"https:\/\/jobs.art.ucla.edu\/?p=6439","title":{"rendered":"Prospectus \u2013 Call to Artists: 31 Women Artists Exhibition"},"content":{"rendered":"

31 Women Artists Exhibition
\nA Special Exhibition at the Sedona Arts Center
\nJanuary 3 \u2013 26, 2020<\/strong><\/p>\n

About the show:<\/span><\/b><\/p>\n

Surrealism was the prevailing modern art movement in 1943 when Peggy Guggenheim<\/span><\/b> launched a special exhibition entitled\u00a0Exhibition by 31 Women<\/span><\/em>\u00a0at her \u201cArt of This Century\u201d gallery in NYC. Our exhibition will include various works by six of the women artists who were featured in the original NYC exhibition from the collection of local art historian Mark Rownd. We will be exhibiting works by Leonora Carrington, Dorothea Tanning, Leonor Fini, Hedda Sterne, Sonja Sekula, and Hazel Guggenheim.<\/span><\/p>\n

In the early 1940s, many of the European artists associated with surrealism had emigrated to America to escape WWII.<\/span><\/b> Peggy Guggenheim helped to rescue many artists from the Nazi expansion, one of whom was her future husband, Max Ernst. Max later helped Peggy select the artists for the original\u00a0Exhibition by 31 Women<\/span><\/em>\u00a0when he met the artist Dorothea Tanning. One of the founding fathers of Surrealism, Max later married Dorothea and they spent many productive years in Sedona, Arizona intermittently from 1943 to 1957.<\/span><\/p>\n

Sedona Arts Center is seeking contemporary women artists representing work that has in some way been influenced by the surrealist movement.<\/span><\/b> The scope of the exhibition will be very inclusive. Surrealist influence appears in abstract expressionism, process art, conceptual art, and various forms of magical realism and visionary art as well as collage, sculpture, assemblage, and painting that relies on evocative juxtaposition of various imagery. Because of its relationship to the unconscious and the mythic, surrealism has often been associated with a spiritual quest, situating art as a healer of the rift between nature and human reality through its unique creativity.<\/span><\/p>\n

Women are the unsung heroes of contemporary art, creating artworks and actively participating in all aspects of modern art from early on. <\/span><\/b>This exhibition, timed to overlap with the Sedona Women\u2019s March and Rally in January of 2020 is themed on the empowerment of Women and the diverse heritage of Surrealism.<\/span><\/p>\n

The exhibition will be juried by\u00a0<\/span><\/b>Dr. Catriona McAra<\/span><\/strong>,<\/span> University Curator at Leeds Arts University.<\/span><\/b> She was awarded her doctorate in History of Art at the University of Glasgow and completed a postdoctoral fellowship at the Institute for Advanced Studies in the Humanities (IASH), University of Edinburgh. She has published extensively on the art and literature of Dorothea Tanning and Leonora Carrington with a particular interest in feminist aesthetics and surrealist legacies in contemporary practice. She is author of A Surrealist Stratigraphy of Dorothea Tanning\u2019s Chasm (Routledge, 2017), and co-editor with Jonathan P. Eburne of Leonora Carrington and the International Avant-Garde (Manchester University Press, 2017). McAra\u2019s long-term research is feminist revisionary focusing on women\u2019s participation in surrealism and how their legacies are manifest in contemporary practice.<\/span><\/p>\n

Prospectus \u2013 Call to Artists<\/span><\/strong>: Click here to apply<\/a><\/b><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

31 Women Artists Exhibition A Special Exhibition at the Sedona Arts Center January 3 \u2013 26, 2020<\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,8],"tags":[],"class_list":["post-6439","post","type-post","status-publish","format-standard","hentry","category-calls","category-competitions"],"_links":{"self":[{"href":"https:\/\/jobs.art.ucla.edu\/index.php?rest_route=\/wp\/v2\/posts\/6439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jobs.art.ucla.edu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jobs.art.ucla.edu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jobs.art.ucla.edu\/index.php?rest_route=\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/jobs.art.ucla.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6439"}],"version-history":[{"count":1,"href":"https:\/\/jobs.art.ucla.edu\/index.php?rest_route=\/wp\/v2\/posts\/6439\/revisions"}],"predecessor-version":[{"id":6440,"href":"https:\/\/jobs.art.ucla.edu\/index.php?rest_route=\/wp\/v2\/posts\/6439\/revisions\/6440"}],"wp:attachment":[{"href":"https:\/\/jobs.art.ucla.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6439"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jobs.art.ucla.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6439"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jobs.art.ucla.edu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}